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Cardinal Virtues of Freemasonry

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In this edition of Freemason Information’s Symbols and Symbolism we consider, together, the four cardinal virtues of Freemasonry as gathered form Albert Mackey’s Encyclopedia of Freemasonry. Mackey (and Freemasonry) originally sourcing the virtues from Plato’s scheme, discussed in Republic Book IV, 426–435. Mackey writes of the cardinal virtues saying, The pre-eminent or principal virtues on which all the others hinge or depend. They are temperance, fortitude, prudence, and justice. They are referred to in the ritual of the first degree, and will be found below under their respective heads. Oliver says (Revelation of a Square, ch. i.,) that in the eighteenth century the Masons delineated the symbols of the four cardinal virtues by an acute angle, variously disposed. Thus, suppose you face the east, the angle symbolizing temperance will point to the south, It was called a Guttural. Fortitude was denoted by a saltire, or St. Andrew’s Cross. This was the Pectoral. The symbol of prudence was an acute angle pointing towards the south-east, and was denominated a Manual; and justice had its angle towards the north and was called a Pedestal or Pedal.

Of the particular virtues, Mackey says:

Temperance

One of the four cardinal virtues; the practice of which is inculcated in the First Degree. The Freemason who properly appreciates the secrets which he has solemnly promised never to reveal, will not, by yielding to the unrestrained call of appetite, permit reason and judgment to lose their seats and subject himself, by the indulgence in habits of excess, to discover that which should be concealed, and thus merit and receive the scorn and detestation of his Brethren. And lest any Brother should forget the danger to which he is exposed in the unguarded hours of dissipation, the virtue of temperance is wisely impressed upon is memory, lay its reference to one of the most solemn portions of the ceremony of initiation. Some Freemasons, very properly condemning the vice of intemperance and abhorring its effects, have been unwisely led to confound temperance with total abstinence in a Masonic application, and resolutions have sometimes been proposed in Grand Lodges which declare the use of stimulating liquors in any quantity a Masonic offense. Put the law of Freemasonry authorizes no such regulation. It leaves to every man the indulgence of his own tastes within due limits, and demands not abstinence, but only moderation and temperance, in anything not actually wrongs.

Plato’s text on temperance says, “the virtue of temperance has more of the nature of harmony and symphony…Temperance…is the ordering or controlling of certain pleasures and desires; this is curiously enough implied in the saying of ‘a man being his own master;’ “ Something he finds as a “ridiculous in the expression ‘master of himself;’ for the master is also the servant and the servant the master; and in all these modes of speaking the same person is denoted,” but to which he denotes “…in the human soul there is a better and also a worse principle; and when the better has the worse under control, then a man is said to be master of himself; and this is a term of praise: but when, owing to evil education or association, the better principle, which is also the smaller, is overwhelmed by the greater mass of the worse—in this case he is blamed and is called the slave of self and unprincipled.”

Fortitude (Courage)

One of the four cardinal virtues, whose excellencies are dilated on in the First Degree. It not only instructs the worthy Freemason to bear the ills of life with becoming resignation, “taking up arms against a sea of trouble,” but, by its intimate connection with a portion of our ceremonies, it teaches him to let no dangers shake, no pains dissolve the inviolable fidelity he owes to the trusts reposed in him. Or, in the words of the old Prestonian lecture, it is “a fence or security against any attack that might be made upon him by force or otherwise, to extort from him any of our Royal Secrets.”

Spence, in his Polymetis, when describing the moral virtues! says of Fortitude: “She may be easily known by her erect air and military dress, the spear she rests on with one hand, and the sword which she holds in the other. She has a globe under her feet; I suppose to shows that the Romans, by means of this virtue, were to subdue the whole world.”

Plato encapsulates courage (fortitude) as “a kind of salvation…[a salvation] of the opinion respecting things to be feared, what they are and of what nature, which the law implants through education; and I mean by the words ‘under all circumstances’ to intimate that in pleasure or in pain, or under the influence of desire or fear, a man preserves, and does not lose this opinion.”

Prudence (wisdom)

This is one of the four cardinal virtues, the practice of which is inculcated upon the Entered Apprentice. Preston first introduced it into the Degree as referring to what was then, and long before had been called the Four Principal Signs, but which are now known as the Perfect Points of Entrance. Preston’s eulogium on prudence differs from that used in the lectures of the United States of America, which was composed by Webb. It is in these words: “Prudence is the true guide to human understanding, and consists in judging and determining with propriety what is to be said or done upon all our occasions, what dangers we should endeavor to avoid, and how to act in all our difficulties.” Webb’s definition, which is much better, may be found in all the Monitors. The Masonic reference of prudence to the manual point reminds us of the classic method of representing her in statues with a rule or measure in her hand.

In Plato’s Republic, Wisdom is harder to tease out as a virtue, but can essentially be distilled down as knowledge “first among the virtues…” where “good counsel is…a kind of knowledge, for not by ignorance, but by knowledge…so by reason of the smallest part or class, and of the knowledge which resides in this presiding and ruling part of itself, the whole State, being thus constituted according to nature, will be wise; and this, which has the only knowledge worthy to be called wisdom, has been ordained by nature to be of all classes the least.” The takeaway, perhaps, is that knowledge (education) leads to wisdom.

Justice

One of the four cardinal virtues, the practice of which is inculcated in the first degree. The Mason who remembers how emphatically he has been charged to preserve an upright position in all his dealings with mankind, should never fail to act justly to himself, to his brethren, and to the world. This is the cornerstone on which alone he can expect ” to erect a superstructure alike honorable to himself and to the Fraternity.” In iconography, Justice is usually represented as a matron with bandaged eyes, holding in one hand a sword and in the other a pair of scales at equipoise. But in Masonry the true symbol of Justice, as illustrated in the first degree, is the feet firmly planted on the ground, and the body upright.

Justice, Plato encapsulates as, “being concerned however, not with the outward man, but with the inward, which is the true self and concernment of man: for the just man does not permit the several elements within him to interfere with one another, or any of them to do the work of others,—he sets in order his own inner life, and is his own master and his own law, and at peace with himself; and when he has bound together the three principles within him, which may be compared to the higher, lower, and middle notes of the scale, and the intermediate intervals—when he has bound all these together, and is no longer many, but has become one entirely temperate and perfectly adjusted nature, then he proceeds to act, if he has to act, whether in a matter of property, or in the treatment of the body, or in some affair of politics or private business; always thinking and calling that which preserves and co-operates with this harmonious condition, just and good action, and the knowledge which presides over it, wisdom, and that which at any time impairs this condition, he will call unjust action, and the opinion which presides over it ignorance.

The Weeping Virgin

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In this episode of Symbols and Symbolism we look at a short entry from Albert Mackey’s Encyclopedia of Freemasonry examining the figure of the weeping virgin. A newer invention in the symbolism of Freemasonry, Mackey draws an ancient parallel to its cryptic iconography.

time, virgin, broken pillar, art, illustration
Time, the weeping virgin and the broken column.

The Weeping Virgin with disheveled hair, in the Monument of the Third Degree used in the American Rite, is interpreted as a symbol of grief for the unfinished state of the Temple.

Jeremy Cross, who is said to have fabricated the monumental symbol, was not, we are satisfied, acquainted with Hermetic Science. Yet a woman thus portrayed, standing near a tomb, was a very appropriate symbol for the Third Degree, whose dogma is the resurrection.

In Hermetic Science, according to Nicolas Flammel (Hieroglyphics, chapter xxxii), a woman having her hair disheveled and standing near a tomb is a symbol of the soul.

Jeremy Cross (b.1783, d. 1861) became a mason in 1808 and soon became a student of Thomas Smith Webb. In 1819 he published The True Masonic Chart or Hieroglyphic Monitor, in which he borrowed liberally from the previous work of Webb. The Weeping Virgin first appeared as an illustration as rendered by the American copperplate engraver Amos Doolittle, appearing in Crosse’s The True Masonic Chart.

The Moon in Freemasonry | Symbols and Symbolism

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Symbolic, even among the symbols of Freemasonry, the moon plays an essential part in the esoteric nature of Freemasonry. Not a primary component of the ritual, the celestial body none-the-less features prominently in the rites and rituals of the lodge harkening back to older and more esoteric traditions.

In this installment of the Symbols and Symbolism of Freemasonry, we look at a reading on the luminous orb that encircles our planet in both a reading of Albert Mackey’s Encyclopedia of Freemasonry and from an excerpt of the book, The Master Mason: The Reason of Being – A Treatise on the Third Degree of Freemasonry on the topic.

Mackey writes on the moon:

The adoption of the moon in the Masonic system as a symbol is analogous to, but could hardly be derived from, the employment of the same symbol in the ancient religions. In Egypt, Osiris was the sun, and Isis the moon; in Syria, Adonis was the sun and Ashtaroth the moon; the Greeks adored her as Diana, and Hecate; in the mysteries of Ceres, while the hierophant or chief priest represented the Creator, and the torch-bearer the sun, the officer nearest the altar represented the moon. In short, moon-worship was as widely disseminated as sun-worship. Masons retain her image in their Rites because the Lodge is a representation of the universe. where, as the sun rules over the day, the moon presides over the night; as the one regulates the year, so does the other the months, and as the former is the king of the starry hosts of heaven, so is the latter their queen; but both deriving their heat, and light, and power from him, who has the third and the greatest light, the master of heaven and earth controls them both.

https://youtu.be/EXZQnEqKIfk 

From The Master Mason

In its culmination, [the third degree] is the transition through life and death in order to be reborn anew with an understanding of the spiritual world that has always been around us but now made visible. The moon, here, is key as Yesod leads to our understanding of becoming an emblem of the reflective nature we assume in this transformation. Like the moon, we reflect the light of the Great Architect capturing what is impossible to see without becoming blinded by its radiance. This is, of course, a metaphor but no less appropriate to the change we undergo and the purpose we assume in becoming masters. Like the moon, each of us reflect the glory of the divine sun in phases, exerting our gravitational force over the tides of our interactions.

Ouroboros | Symbols and Symbolism

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In this edition of Symbols and Symbolism, we look at a reading on the Ouroboros, that serpent devouring its tail as a representation of eternity and the passage of time. This symbol, while existing in a mainstream context, is little known outside of most esoteric and occult circles. Its use triggers very specific meanings for those utilizing it as part of their overall allegorical narrative.

You can find more installments here: Symbols & Symbolism and on YouTube.

ordoThis symbol appears principally among the Gnostics and is depicted as a dragon, snake or serpent biting its own tail. In the broadest sense, it is symbolic of time and of the continuity of life. It sometimes bears the caption Hen to pan—’The One, the All’, as in the Codex Marcianus, for instance, of the 2nd century A.D. It has also been explained as the union between the chthonian principle as represented by the serpent and the celestial principle as signified by the bird (a synthesis which can also be applied to the dragon). Ruland contends that this proves that it is a variant of the symbol for Mercury—the duplex god. In some versions of the Ouroboros, the body is half light and half dark, alluding in this way to the successive counterbalancing of opposing principles as illustrated in the Chinese Yang-Yin symbol for instance. Evola asserts that it represents the dissolution of the body, or the universal serpent which (to quote the Gnostic saying) ‘passes through all things’. Poison, the viper and the universal solvent are all symbols of the undifferentiated—of the ‘unchanging law’ which moves through all things, linking them by a common bond. Both the dragon and the bull are symbolic antagonists of the solar hero. The ouroboros biting its own tail is symbolic of self-fecundation, or the primitive idea of a self-sufficient Nature—a Nature, that is, which, à la Nietzsche, continually returns, within a cyclic pattern, to its own beginning. There is a Venetian manuscript on alchemy which depicts the Ouroboros with its body half-black (symbolizing earth and night) and half-white (denoting heaven and light).

Transcending Yesod-The Third Degree of Freemasonry

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The following is an adjusted version of the introduction for a new book I’ve been working on, The Master Mason. This work is the culmination of nearly a decade of consideration and contemplation over the complexities of what it means to become a master in the masonic system of initiation. It is not the complete work and serves as an introduction to the broader themes explored in its subsequent pages. In a nut-shell, the work is an exploration of Freemasonry and how it relates to the Hermetic tradition, the Kabbalah and other esoteric systems that have at various intersections crossed paths with what we know as Freemasonry today.

You can read more on the release of The Master Mason, at: Between the Sun and Moon, A Master Mason is Born

So, with that in mind, I present to you,

Transcending Yesod — The Third Degree of Freemasonry

Third Degree Masonic Tracing Board

“To be or not to be” are the immortal words written by the eminent bard of Avon, William Shakespeare. His question appears in the story of Hamlet made by a lost son striving to find answers to what would, by most, be an unfathomable question which is the essence of the third degree. “To be” is perhaps the oldest of the New Age paradigms stirring echoes across theologies of all cultures said best in the application of the Golden Rule as to do unto others which is Being itself. Like the Golden Rule, in order to do unto others, we must first understand ourselves, the innerness of our being such that we can Be in the first place. This lesson is not something that is wholesale unique to the fraternity of Freemasonry, or this degree, as we find the idea of the Golden Rule transcribed across millennia and within every theological system. So too do we find the testament as a personal gospel of finding our truth. For most, truth is mythology whose philosophical lessons are lost in the dogmas of its authority – its commentaries on the philosophies become more valuable than the philosophies themselves and the value of what was said is lost to the dominion of those who hold authority over them. We must interpret the truths for ourselves so as to find their resonance within us. This is the entirety of the lesson of the third degree, the marrow in the bones of antiquity within which the truth spans all landscapes if the seeker looks deeply enough into its composition. But, as with any concept, truth is itself mutable as generations add or redact its communication creating ever fluctuating permutations and confluences of its principle concepts. Truth is truth, no matter how others dictate its interpretation. It is our own internal mechanisms that decide it for ourselves. For the Mason reading, we, as Hiram, perish in custody of our virtue which in turn is the vehicle of our metaphoric resurrection in being made perpendicular again, a zenith we find in the number three as the union between one and two, duality itself made whole. By reading the degree, whether in the Scottish or York Rite telling, the overtones are distinctly Christian but like the Christian Church itself, the tradition existed well before the consummation of the Gospels and illustrate the depth of antiquity for what they kabbalah, Cabbalah, tree of life, Hermetic Qabalahseek to convey. As with every symbolic story, we must look at it with filters and adjudge the entirety by the description of the pieces to achieve a level of perspective over the totality within which it exists. Freemasonry is, if anything else, a conglomerate of ideas, culled together from a variety of sources. So then, to understand its summation we need to look at the Kabalistic connections of this degree as it relates to our Tree of Life progression (see The Apprentice and Fellow of the Craft) as the degree of the Master Mason resides within the Sephirot of Yesod on the pillar of mercy giving several meanings and parallels. So too will we do well in finding its corresponding relations in the Tarot as Yesod relates to the card of the Four Nines, which is also a source of its symbolic origin. But, our greatest understanding will come as we look at the degree itself to try and make sense of why the master mason is arranged the way it is, given its discordant portrayal when compared with the two that preceded it in both presentation and tone. No longer is the degree about simply the teaching of ideas and social principles, nor is it an indoctrination meant to introduce foreign concepts to the newcomer. No, this degree is about the inner journey, the making of the “transcendent transparent” which it does by introducing, in its present-day conduct, an aspect of itself that strives to teach its lesson through theatrics so as to convey its lesson in a manner reminiscent of a morality play with antecedent’s common at the time of its ritual organization. “To be…or not to be,” that is the challenge that faces each of us as we confront our own inner Hiram. And is the question which will open the door of the future of Masonry in the pursuit of the higher degrees. The esoteric writer Eliphas Lévi says, in his book The History of Magic, “Ordeal is the great word of life, and life itself is a serpent which brings forth and devours unceasingly.” Man, is born into chaos to seek light from that which he was created which, the great tradition of Hermetica tells us, is but merely a reflection, as the moon reflects the light of the sun — an aspect of this tradition we find in the parallel with Yesod. So then, we need a place to begin our study and where best to begin than with the number of the degree itself so as to construct an understanding of the significance of the number three and its relationship to many other traditions as the unifying force of division.

Canopy of Heaven | Symbols and Symbolism

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A clouded horizon and starry field of shimmering twilight jewels are often the embelishments aloft above the altar of a masonic lodge. As beautiful and mysterious as this stage dressing is, it holds a special significance in the work at hand in the Masonic Lodge. In this episode, we examine the covering of the lodge, better known as the canopy of Heaven.

Albert Mackey, in his Encyclopedia of Freemasonry, says:

As the lectures tell us that our ancient brethren met on the highest hills and lowest vales, from this it is inferred that, as the meetings were thus in the open air, the only covering must have been the overarching vault of Heaven. Hence, in the symbolism of Masonry the covering of the Lodge is said to be “a clouded canopy or starry decked heaven.” The terrestrial Lodge of labor is thus intimately connected with the celestial Lodge of eternal refreshment.

The symbolism is still further extended to remind us that the whole world is a Mason’s Lodge, and heaven its sheltering cover.

Why Does Freemasonry Use Odd Symbols?

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Skulls, architectural tools, mallets, aprons… all of these things can we weird. So why does Freemasonry use so many odd symbols? This question is at the heart of many detractors who like to speculate on their nefarious meanings.

Freemasonry is a system of symbol and allegory. By using such symbols, it conveys specific meanings or lessons that each recipient can apply to his personal life and spiritual development.

The skull and bones, or specifically the skull (or death’s head) is actually a symbol to remind us of mortality, as it is the ultimate equalizer of men of all rank, as none can avoid its inevitability. This is more a means to remind us that no matter our station in life, rich or poor, we are all subject to the same fate, and that our goal should be to make this world better for everyone. All Masons should always strive for our noble endeavor of spreading brotherly love, relief, and truth. The hourglass similarly reminds us of the swift passage of time, so as not to delay. The Temple of Solomon has many meanings within Masonry; most significantly it represents the Temple built to hold the laws of God to man in the Judaic tradition. Though its use implied a religious connotation, its application is universal and serves as an allegory to a deeper meaning.

More in the series:

What is Freemasonry? – Part 1: What is a Freemason?
What is Freemasonry? – Part 2: How Old is Freemasonry?
What is Freemasonry? – Part 3: Why are Freemason’s Secretive?
What is Freemasonry? – Part 4: Is Freemasonry a Patriotic Body?
What is Freemasonry? – Part 5: Why Brotherly Love, Relief and Truth?
What is Freemasonry? – Part 6: Why is Freemasonry a Ritual Practice?
What is Freemasonry? – Part 7: Why Does Freemasonry Use Odd Symbols?

From the ebook: What is Freemasonry?

God and Freemasonry | Symbols and Symbolism

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In this episode we look at a reading of Frank C. Higgins from The Beginning of Masonry. In this piece, Higgins explores the philosophical relationship of God and Freemasonry.

There is no place in Masonry for dogmatic controversy affecting the current convictions of brethren of the craft. In its highest contemplation, Freemasonry solely regards and addresses itself to the “Great Architect of the Universe,” respecting the Names under which this Unique Identity is apostrophized in every clime, by every race, and by every school of thought.

There are no religious differences attached to the adoption of the Supreme Being. Men differ alone with respect to some of His manifestations of love and solicitude for humanity, making claims to an exclusiveness in one respect or another, which are too often the outgrowth of fast-vanishing racial isolation and the diverse trends of thought consequent upon differences of origin, climate, and environment.

In quibbling over these differences, so frequently the result of misunderstandings of identical premises, viewed from diverging angles, men are too prone to forget that the goodness and providence of Almighty God is forever pouring in a mighty deluge upon us, manifesting itself unceasingly and impartially in everything that either experience or can be experienced. From the selfish standpoint of the unintelligent ego, each individual is alternately blessed with satisfactions and cursed with deprivations or distresses, the extremes predominating in many instances without apparent reason. Many of the ancient philosophers, therefore, taught that man could attain supreme contentment only by realizing his identity with the All. Sensing this, he perceived the resistless operation of the great laws of Being, in perfect poise, harmony, and impartiality, requiring only to be heeded for man to escape the evils and enjoy the benefits thereof during his allotted term, the accidents and mishaps befalling him not being subject to the caprices of an unpropitious Ruler, but consequent upon his own unguarded collisions with unchangeable law.

There are no religious differences attached to the adoption of the Supreme Being.

Therefore, the whole problem of human life became the attainment of greater and ever greater knowledge of the natural law, upon which all progress and all security to life and happiness depended in so eminent a degree, and the divine gift of the reasoning faculties, which rendered the possible, was appreciated as God’s most precious blessing to man. Thousands of years of experiment and ceaseless vigilance on the part of eager watchers have never resulted in the detection of a single principle so unrelated to the rest of the universal machine as to have no dependence upon it. Even where the wonders of science have disclosed marvels so intricate as to baffle explanation or analysis, they have at least proved so entirely subject to certain conditions of known factors as to be easily provoked into manifestation or suppressed from view, at the will of man.

Year by year, day by day, hour by hour, minute by minute, the infinite details of this great cosmic-pervading law keep on unfolding to human perception, filling all space with their greatness and mocking pursuit in their ultra-microscopic perfections and yet nothing is discovered that had not existed ages before the human mind began to concern itself with its intricacies. The capacity of mind to see and understand has limitations and history-that of which it takes cognizance through the medium of the senses-is limitless and without historical beginning or end.

Every past age has attempted to place bounds upon that which it is legitimate for man to know or think he knows about the origin and constitution of the wonders about him. Each era has closed its book of human knowledge with a flaming “Finis” at the end of an ultimate chapter, and yet the dawn of every other day has ushered in new wonders, new visions, and new truths.

“Dogma” is the name given to all these futile finalities which do not finish, to the barbed wire entanglements and chevaux de frise set by each generation at the limit of its attainments, in the vain thought that the “End” had been achieved.

In most cases dogmas will be found to revolve round the privilege of classes to rule masses, irrespective of the fact that part of the cosmic law is as sure and continual an oxygenation of the sea of humanity by waves of upheaval as is manifest in seas of water, in which that which is the sluggish depth of today may be the foam-crested wave of tomorrow. Yet the mind of man, framed in the image of the Creator, even as the receiver of an acoustic instrument must be attuned to the vibrations of the transmitter, that the message may be received as it is sent, has discovered constant and unchanging elements in this stupendous order of varied manifestations, has discovered chaos-banishing laws which must be the same in an atom as in a sun, and so may be exhibited in symbols of dimensions convenient to the stature of contemplative man.

Such are the symbols of Freemasonry – evidences of the truth attributed to Triple-great Hermes, the mystic founder of our craft, that “that which is above may be discovered by examination of that which is below.”

The Masonic student may concern himself with every branch of research that is capable of throwing light upon the causes that have led men to crystallize their perceptions of immutable law in emblems and symbols. He may pursue each of the various paths of investigation indicated by the obscure phraseology of ritual until he emerges into the full blaze of Masonic light embracing its fundamental truth. He may unravel the intricacies of ancient philosophies and mythologies, in order to convince himself of their ultimate source in the fountain of revealed wisdom, and he may set his own value upon anthropomorphisms or the embodiment of attributes and principles in fleshly guise, so that what really are the play of natural forces, the sport of the elements, the cycles of worlds, are described in terms taken from the vocabulary of human life. Yet, with all this, he may not consciously offend his brother, by striking at the latter’s highest individual spiritual contemplation in a humor of disdain or ridicule. Each mind is a universe in little, a cell of the universe in great, one as eternal as the other, and subject to the same law of gradual unfoldment. Some day we shall all know the intricate and the complicated as we at present know that which is simple and few of parts; but of the infinite aggregate, the unfathomable indivisible total, our Masonry teaches us the value.

The Beehive | Symbols and Symbolism

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In this episode of Symbols and Symbols we examine the Masonic symbol of the beehive, a symbol that Mackey, in his Encyclopedia of Freemasonry, calls a symbol of an obedient people. In masonic parlance, the symbol is more recognizable as an emblem industry. The Master Mason degree says of the beehive that it is an emblem of industry, and “recommends the practice of that virtue to all created beings, from the highest seraph in heaven to the lowest reptile of the dust.” Yet, as Mackey explains, the emblem is much, much, more.

A symbol that Albert Mackey, in his Encyclopedia of Freemasonry, says “was among the Egyptians the symbol of an obedient people”, because, as he quotes Horapollo, “…of all insects, the bee alone had a king,” what we know now to be a queen. Mackey continues “Hence looking at the regulated labor of these insects when congregated in their hive, it is not surprising that a beehive should have been deemed an appropriate emblem of systematized industry. Freemasonry has therefore adopted the beehive as a symbol of industry, a virtue taught in the instructions, which says that a Master Mason” works that he may receive wages, the better to support himself and family, and contribute to the relief of a worthy, distressed brother, his widows and orphans. In the Old Charges, which tell us that “…all Masons shall work honestly on working days, that they may live creditably on holidays.”

There seems, however, to be a more recondite meaning connected with this symbol. The ark has already been shown to have been an emblem common to Freemasonry and the Ancient Mysteries, as a symbol of regeneration—of the second birth from death to life. Now, in the Mysteries, a hive was a type of ark. “Hence,” says Faber (Origin of Pagan Idolatry, volume ii, page 133), “both the diluvian priestesses and the regenerated souls were called bees; hence, bees were feigned to be produced from the carcass of a cow, which also symbolized the ark; and hence, as the great father was esteemed an infernal god, honey was much used both in funeral rites and in the Mysteries.”

Albert Gallatin Mackey

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masonic author, encyclopedia of freemasonry

In Masonic circles, few names carry the weight that comes with the eminent that of Albert Gallatin Mackey. Mostly known as a Masonic historian, author, and scholar, Mackey was also an educator and a medical doctor prior to his lifting the Masonic pen. Yet, this great accomplishments are eclipsed in the shadow of two of his biggest achievements in collecting and publishing Masonic wisdom and knowledge in his magnum opus, the Encyclopedia of Freemasonry, in 1873, and through his Masonic periodical works including The Southern and Western Masonic Miscellany — a project he maintained at his own expense, in 1852. Although Mackey’s life work centered on Freemasonry, it didn’t start out that way — beginning with much simpler objective that would come to fuel his passion for chronicling the world of Freemasonry.

Born on March 12, 1807, in Charleston, South Carolina, a young Albert Mackey began his working career as an educator. Once through his studies, Mackey worked as a teacher to earn the resources necessary to attend medical school. Upon completion, Mackey returned to Charleston to begin his life. After twenty years of practicing medicine (1834-1854), he left the profession in order to become a full-time author writing about a variety of subjects but in particular about the Middle Ages, language, and Freemasonry.

An Encyclopedia of Freemasonry, 1916

Mackey was initiated into Saint Andrews Lodge No. 10 in Charleston, South Carolina in 1841 where he moved through the lodge chairs. Mackey went on to associate with Solomon’s Lodge, No. 1, in Charleston where, 1842, he was elected “Worshipful Master.” He then held the position of Grand Secretary from 1842 until 1867. Albert Mackey went on to hold numerous positions and to be affiliated with numerous other Masonic Lodges.

In the time that he was affiliated with Freemasonry, Mackey produced many different works about the fraternity. His first Masonic piece, A Lexicon of Freemasonry, was published in 1845. He then wrote The Mystic Tie in 1851, History of Freemasonry in South Carolina in 1861 and, in 1874, the opus he is most known for, the Encyclopedia of Freemasonry. At different intervals, Mackey edited the Western Masonic Miscellany (1849-54), the Masonic Quarterly Review (1857-58), the American Freemason (1859-60), Mackey’s National Freemason (1871-74) and the Voice of Freemasonry (1875-79). Said of Mackey and his work to encapsulate the Masonic landmarks:

…his reduction to writing of twenty-five principles of Masonic law, whether or no they are all true landmarks, was a feat of no mean proportions. His list gave other Masonic thinkers a solid foundation from which to take off on expeditions into what was then an unexplored Masonic field. (read more of variations of the landmarks under Masonic Symbols)

After a long and illustrious career, Albert Gallatin Mackey passed away in Fortress Monroe, Virginia, on June 21, 1881. Said before the Supreme Council for the Southern Jurisdiction by Past Georgia Grand Master Henry Buist at Mackey’s eulogy:

He was a fearless and gifted speaker; his language was courteous and manner dignified; and occasionally, in his earnestness to maintain what he conceived to be right, he became animated and eloquent. Positive in his convictions, he was bold in their advocacy. His course of action once determined on, supported by an approving conscience no fear or disfavor or discomfiture could swerve him from his fixed purpose. Whatever was the emergency, he was always equal to it. Where others doubted. he was confident; where others faltered, he was immovable; where others queried, he affirmed. He was faithful to every public and Masonic duty. Treachery found no place in his character. He never betrayed a trust. He was eminently sincere and loyal to his friends, and those who were most intimately associated with him learned to appreciate him the most. He was generous and frank in his impulses, and cherished malice toward none, and charity for all. His monument is in the hearts of those who knew him longest and best. He is no longer of this earth. His work among men is ended; his earthly record is complete.

In 2001, the Scottish Rite Research Society established the Albert Gallatin Mackey Award for Lifetime Achievement and Excellence in Masonic Scholarship. The lifetime achievement award is given to individuals whose works have received longstanding universal recognition by Masonic scholars and the excellence in Masonic scholarship is presented to individuals whose original works published by the society are distinguished by their superior achievement.

Today you can find the tomb of Albert Gallatin Mackey at Glenwood Cemetery in Washington D.C.

Works by (and with) Albert Gallatin Mackey: