masonic art

Brother Ryan J. Flynn, The Most Influential Masonic Artist In America

December 3, 2016 by Fred Milliken

Once again we visit the great Masonic artist Ryan J. Flynn. There is little that you can write anymore that does justice to what this Brother is doing with and for art. You have to see it to believe it. So Phoenixmasonry Live’s December 2016 program SHOWS you what words cannot do justice to. And as he shows us his creations, his description of how he does it will truly amaze you.

Flynn says:

“Freemasonry is not a brand name; it is not Nike, it is not Starbucks. Freemasonry is an ideal, an organization of men who, when gathered together, strive for the absolute best in all of us, and they settle for nothing less. I fervently believe that Masonic works of art should strive to meet the same ideal.”

“I pledge that you will never see me settle for average, plain or quick. I will never brand something with a square and compass and call it “Masonic.” To call something “Masonic” means that it is a direct representation of the Craft, and thus should be educational, symbolic and meaningful; something that I strive to do in all my work. Of course, having a shirt embroidered with my lodge is something I would love to wear, but this, although adorned with our symbols, is merely Masonic in name and not substance.”

“Substance is what drives good art, and it is what drives me to create works that truly honors the Craft that I so love dearly.”

Phoenixmasonry hopes that this video will be a permanent part of your library and that you will carry Flynn’s message of appreciation of Masonic art to your Brethren.

To contact Flynn or purchase his work go to: http://www.ryanjflynn.com

www.facebook.com/ryanjflynnartist

www.twitter.com/masonicartist

www.pinterest.com/rjflynndesign

Phoenixmasonry’s monthly Masonic artifact for December is McBeth Masonic knives and an excellent interview with Jim McBeth highlighting his unique handcrafted knives is included in this video.

www.mcbethknives.com

A Great Masonic Lodge, A Great Masonic Guest Speaker Made A Super Masonic Evening

March 4, 2016 by Fred Milliken

On a weekend late in February of 2016, I traveled to Oklahoma for a special Masonic event. It was the Spring Festive Board (untyled) for Lodge Veritas No 556, Grand Lodge of Oklahoma.

(Turn up the volume full for Bro. Flynn’s presentation)

We met at The Greens Country Club in Oklahoma City in full Masonic dress. There we started off the evening with cigars and the adult beverage of choice on the deck outside. As the sun slowly faded behind the horizon and the moon readied to take over, we gathered around a table with a mini fire pit and let the brotherly love flow. Some notable attendees were PGM Richard Massad and 33^rd Bob Davis.

There Was Camaraderie

What seemed like all too soon, we adjourned to the dining room for toasts, prayer, singing and great food.

There Was A Great Gastronomic Experience

The special guest speaker was Masonic artist Ryan Flynn who made an enlightening presentation on art in Freemasonry from the Middle Ages to the present. Flynn showed us how to look for hidden meanings and symbolism and where they were in some of the great works in history.

Masonic Artist Ryan Flynn's Presentation — Masonic Artist Ryan Flynn’s Presentation

There Was Masonic Education And Shared Knowledge

After closing the Festive Board we retired once again to the place from which we had started, the deck outside with the fire pit in the table. This time, it was dark. But that did not dampen the Masonic spirit in the slightest. Stories flowed back and forth and for some, new friendships were cemented for time immemorial.

There Was More Camaraderie

This experience was a lesson in how the practice of Freemasonry needs to be complimented. It is how our Masonic ancestors often gathered in taverns many moons ago. It makes the business of the Lodge the opening of the Masonic heart, the inspiring of the Masonic spirit and the sharing of esoteric knowledge to widen the Masonic mind all in a festive, celebratory setting. More Lodges should hold events like this. It is great for Lodge morale and Masonic bonding.

Making Freemasonry Great Again

January 22, 2016 by Fred Milliken

When Greg Stewart interviewed me for a piece on Freemason Information, I can remember him asking me where is Freemasonry headed, what’s working right now and what isn’t? That was the gist of what he was asking – what path does Freemasonry take for the future?

I have gotten to thinking of that question once more after watching Lodge Veritas’ Ryan Flynn Festive Board Promo video. While Freemasonry has shown a sharp decrease in Lodge attendance in the 21^st century so far, it has also shown a huge increase in Internet Freemasonry.

So while the idea of Freemasonry, its philosophy, has shown a marked increase in activity on the Internet, especially within Social Media and You Tube Videos, the practice of Freemasonry in person has tailed off. Could that be because Lodge Meetings no longer discuss ideas but are continually bogged down by administrative issues? And great ritual performances have been replaced by the marketing of Freemasonry and its push for recognition in society with an over emphasis on charitable pursuits?

I recall that I, as a Texas Prince Hall Freemason, recently attended a Third Degree at a Dallas Grand Lodge of Texas Lodge. The degree was well done, the charge spot on and the gathering at a restaurant afterward a significant bonding and camaraderie addition to the evening. Why can’t we do this all the time, I asked myself?

And then there was the Grand Raising at Prince Hall Grand Lodge of Texas at its recent Winter Grand Session where Masonic talent from all over the state contributed to a majestic event that sent goose bumps down one’s spine. Why can’t we do this all the time, I asked myself?

Aye, there’s the rub!

Maybe we as Freemasons don’t “think great” enough. Maybe we have allowed our once great dominant fraternity to diminish itself by too many mundane and trivial pursuits. Maybe we don’t have the “fire in the belly” for our Craft anymore.

I have no crystal ball so I can’t tell you where Freemasonry is headed. I can tell you that Lodge Veritas in Oklahoma gets it. They understand what it will take, to borrow aTrump phrase, to make Freemasonry great again. After you watch the video, you will too. And…Brother Flynn is a great artist!

The new age of Masonic Expression and the continued excellence of David Naughton-Shires

August 30, 2009 by Fred Milliken

When I first started expressing myself in Freemasonry the medium that I used was the one which all the great old Masters of Masonic scholarship used – the word, the printed word. So I wrote many words, words of explaining, of informing, of changing, of reform – so many words. Isn’t that what every Masonic author does – conveying his or her messages in many words?

Then along came Stephen Dafoe who, within Freemasonry, decided words are nice, they are the very bread and butter of every author, but they are not the totality of an integrated work of scholarship. What an author’s work needs, proposed Dafoe, was proper illustration and artwork. So Dafoe was meticulous about the covers to his books and the magazines he published. He hired Steve McKim to produce some beautiful artwork for his covers and some for the inside pages. Dafoe would always add many illustrations and pictures to his work and if you take a look at Nobly Born and The Compasses and the Cross you can see the development of this style to its utmost perfection. You can’t read a Dafoe work today with just words, or let’s say not very often anyway.

Then along came Greg Stewart. He wasn’t writing books but he was still in the profession of Masonic scholarship. Stewart is very good with words but he is also an excellent graphic designer and an originator of some of his own Masonic artwork. Stewart immediately saw the need in online Masonic websites for a marriage of the printed word and the visual. Right from the start on his websites you could actually visualize what he was also writing, culminating in his remake of Freemason Information into a consortium of Masonic writers where with the expertise of Dean Kennedy he crafted a website using word, pictures & artwork and video.

Words without pictures leaves little to the imagination and often allows no room for personalization of the message. The author is leading the reader in a direction he wants to take him/her only utilizing the printed word. The journey is well structured but if the reader becomes claustrophobic or fails to connect with the intent of the author the two will part company.

Pictures without words allows the observer’s imagination to wander off in a hundred different directions at once. There is not enough structure for the artist to be sure that the receiver understands the message that he wishes to convey.

When words and pictures are used together the mind can be brought back into a narrower focus on what the author is trying to convey, yet there is room for the reader to personalize the message and through the powers of imagination carry it into his or her own life experiences.

Which leads us to symbols. Symbols are a representation of a concept. They are drawings with a definite purpose in mind. Whether it is the Cross, the Golden Arches or the Square and Compasses, they are a picture with unspoken words attached. That is why they are so powerful; they can do double duty simultaneously. And that is why multi talented creators like Dafoe & Stewart who can turn a good word while at the same time provide great visual effects that enhance their work are so successful at what they do. Now put them in a setting where the use of symbols runs strong and you provide them with the ultimate opportunity to unleash their creativity. Add to that the fact that both men are excellent speakers and have produced Masonic radio shows to compliment the rest of their work and you have two artists who have the ability to present their work using many different avenues of perception.

Nobody knows this better than David Naughton-Shires. He may be the newcomer to the scene but he is following in the footsteps of Dafoe and Stewart. He understands, as they do, how important the use of all the human senses is in the creation of the work of an artist. He realizes that in order to get one’s work recognized, a creator has to appeal to the observer in many different ways. It is my humble opinion that Naughton-Shires is no newcomer to the knowledge of these facts nor is he new to the ability to produce such integrated work but that it has been his involvement with Freemasonry that is new to him and that has unleashed his creativity and ability into actual great creations and enabled his work to be noticed. And that is because, in my opinion, the power of the symbolism of Freemasonry is so great, so strong and so conducive to the creative artist being able to express himself that it just opens an artist’s creative juices to full flow. Freemasonry is the best platform from which to create great works because of its great symbolism, its long history spanning centuries, and its message of passion for nobleness, righteousness and equality. There are very few other settings that are as conducive to opening up the greatness of an artist.

Nauthton-Shires is carrying the New Age Of Masonic Expression into its next phase. He has a little twist on the applications of Dafoe and Stewart. Rather than producing words with enhancing visual effects, he is producing the visual, artwork, enhanced by words. This removes Masonic scholarship even further away from the bookshelves. Soon applications such as Power Point presentations which can be shown almost like movies will be a Masonic creative specialty and I have no doubt that a man like Naughton-Shires will be leading the pack in taking Masonic expression into deeper and unexplored waters.

That being said Naughton-Shires is proving he is no flash in the pan, no fluke, no 90-day wonder. Rather what I see is continued growth and depth of presentation in his work as demonstrated by his latest Issue 3 of The Masonic Art Exchange Newsletter. He has adopted a Knights Templar theme for the next four or five issues and this Newsletter is sort of an introduction to Templar art. Naughton-Shires asserts:

“Most of the ‘standard’ Templar art is seen in almost every book, magazine and article on the warriors who wore the red cross, and I will attempt to include this in my article but I hope to show art by lesser known modern day artists in the issues that will cover this subject.”

The cover page of this issue is a compelling picture of a Knight Templar called “Fear” and painted by the brilliant Argentinean artist Ignacio Bazan.

And Naughton-Shires outstanding feature article in issue #3 is titled, The Art of The Knight Templars: Artistic Representations of The Crusader Knights of God. In it he features the story and work of Benedictine Monk Mathew Paris and a plethora of early Templar art. Later issues will feature more modern Templar paintings and drawings.

The Knights Templar have been as Naughton-Shires says, “an enigma for many years.” Yet they hold an amazing attraction for modern day society that just can’t seem to get enough of the “lore of the Knights.” Like many of us Naughton-Shires has the “Templar bug” and I asked him what first intrigued him about this society?

“I have had a keen interest in the Templar since watching the movie Ivanhoe many many years ago in which they are depicted as the ‘bad guys’; of course after research I discovered that as with any group there were bad guys indeed but also many good guys.”

There is one picture in the article that really caught my eye. It looks like a tapestry and features green and orange colors. I couldn’t quite make out what was going on in what looked like a story of some kind in pictures.

Naughton-Shires explains what he knows about this work of art:

“The image is of a twelve century map of Jerusalem which depicts a crusader knight in a white mantle assisting the other knights. It is believed to actually be a depiction of St George but this is based on the Latin inscription behind his head that reads Scs Georgius”

There is also an Apron article in this issue and some other tidbits not available for viewing at the time this article was written. But then again, I wouldn’t want to tell you all the good things in Issue #3 of The Masonic Art Exchange’s Newsletter. Better you should go find out for yourself.

And as you do that note where Masonic scholarship seems to be going. We are entering a new age of Masonic Expression, one where the visual arts vault into first place ahead of the word. And leading the charge is Naughton-Shires carrying the torch from Dafoe and Stewart who are shoo-ins for the 21^st Century Masonic Hall of Fame. Sometimes the pupil surpasses the Master but that remains to be seen.

Naughton-Shires is still climbing the wall of stardom. It might behoove us all to grab onto his cable tow and let him pull us into greater heights of Light and once in awhile in the rough places, the precipices that do not hold, for some of us to pull him up and out. The journey together, the journey shared is very rewarding. Naughton-Shires is beckoning for you to come along for the ride. My advice is do it and don’t look back.